Novelist and New Yorker staff writer Elif Batuman joins Kate Wolf to discuss her latest book, Either/Or. A sequel to 2017's The Idiot, the novel follows Batuman’s protagonist Selin in her sophomore year at Harvard University in 1996. Endearingly sincere in her efforts to understand the world around her, Selin turns most often to the books she reads for her literature major to do so, especially the titular work by Kierkegaard, which allows her to consider the merits of an aesthetic life versus an ethical one. It’s The Seducer’s Diary portion of Kierkegaard’s book, however, that Selin finds herself most interested in—and horrified by. It helps explain the mystifying behavior of her crush, Ivan, with whom nothing much of consequence has happened. But are books really a reflection of life? And might Selin write a novel of her own? Selin's quest for understanding eventually leads her away from campus and to her native Turkey and then Russia where she connects more deeply with experiences outside of literature and finally finds herself living on her own terms.
Also, Dan Lopez, author of The Show House, drops by to recommend Cuba: An American History by Ada Ferrer

Author Shelly Oria returns to speak with Kate Wolf about her latest anthology, I Know What’s Best for You: Stories on Reproductive Freedom. The book compiles a range of fiction, essay, poetry, plays, and comics by twenty-eight contributors that offer perspectives on reproductive rights, health care, bodily autonomy, and family making, among many other things. It was published in collaboration with the Brigid Alliance, a nationwide service that arranges and funds confidential and personal travel support to those seeking abortions. The Brigid Alliance’s Executive Director, Odile Schalit, also joins the conversation.

Also, Hernan Diaz, author of Trust, returns to recommend Harrow by Joy Williams.

Eric Newman and Medaya Ocher speak with writer Hernan Diaz about his latest novel Trust, which tells a single story from multiple perspectives, or rather revisions. Trust brings into focus both how storytelling itself, as well as the narratives American culture tells about wealth and money, shape and distort our world.  The conversation moves from the traditions of the 19^th century American novel, the vagaries of capital and how Diaz put together this nesting doll-like novel.

Also, Celia Paul, author of Letters to Gwen John, returns to recommend the Complete Letters of Vincent Van Gogh.

Kate Wolf and Medaya Ocher are joined by acclaimed artist and writer Celia Paul to speak about her latest book Letters to Gwen John, an epistolary memoir addressed to the Welsh painter Gwen John, who lived and worked in Paris in the late 19th and early 20th century. Paul explores the connections between herself and John, who was a passionate defender of her own artistic practice, as well the lover of a much older, much more established man, the sculptor and painter Auguste Rodin. In her letters to John, Paul considers what it means to be a woman and an artist, as well as a mother and a romantic partner.
Also, Douglas Stuart, author of Young Mungo, returns to recommend Maria McCann's As Meat Loves Salt.

Author Douglas Stuart joins Eric Newman to talk about his new novel Young Mungo. Stuart's previous work, Shuggie Bain, won the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters. Young Mungo is a coming of age novel about a young Protestant boy, growing up in working class Glasgow, who finds friendship and love with a Catholic boy who lives nearby. Together, they form a bond that promises to heal the wounds inflicted by family, class, and culture, hoping to build a world all their own before it all comes crashing down.
Also, Margo Jefferson, author of "Constructing a Nervous System," returns to recommend "The Deja Vu: Black Dreams and Black Time" by performance artist Gabrielle Civil.

Writer and critic Margo Jefferson joins Kate Wolf to speak about her latest book, Constructing A Nervous System: A Memoir. A formally inventive and exacting assemblage of personal history and deliberation that delves into Jefferson’s familial legacy, her battles with depression, and the oppressive construct of the model minority, the book is also a cultural reflection. It touches on such subjects as Ella Fitzgerald, Bud Powell, Ike Turner, and Willa Cather, especially as they manifest in the author’s conception of herself. With a kaleidoscopic sense of voice, Jefferson enacts here the constant toggle of the self, from the harshness of the superego to the curiosity, pain and enthusiasm of the child and most of all, the ingenuity of the writer.
Also, Claire-Louise Bennett, author of Checkout 19, to recommend Letters to Gwen John by Celia Paul.

On this special LARB Book Club edition of the Radio Hour, Boris Dralyuk and Lindsay Wright are joined by Andrey Kurkov, one of Ukraine's leading literary figures. Kurkov was raised in Kyiv and, until very recently, was based in the city. Kyiv is not only the setting of some of his most beloved novels, like Death and the Penguin, but also the position from which he has chronicled his nation's journey towards democracy in works like the Ukraine Diaries, his firsthand account of the 2014 Euromaidan Revolution of Dignity and the subsequent Russian annexation of Crimea and the war in Donbas. His latest novel available in English, Grey Bees, focuses on those devastated eastern and southern regions of Ukraine, two or three years into what is now an eight-year war. Russia's brutal escalation of that war has uprooted Kurkov and his family, along with millions of Ukrainians, making Grey Bees more painfully relevant and its insights more important. Dralyuk happens to be the novel’s translator into English, so this special edition of the Book Club is all the more special for him.

Kate Wolf and Medaya Ocher speak with musician, author, artist and all-around legend Patti Smith about her latest work, The Melting, an extended piece of prose she began releasing last spring in serial form via the Internet platform Substack. The Melting, started in the early days of the pandemic, finds Smith alone in her apartment, her world tour having just been canceled. As she yearns for the freedom of travel while stuck at home, her living space begins to yield to other spaces: dreams, literature, memory, reflection, and fictions. The melting of the title refers not just to global warming, but to time itself.

Also, NoViolet Bulawayo, author of Glory, returns to recommend Nana Darkoa Sekyiamah’s The Sex Lives of African Women.

NoViolet Bulawayo joins Eric Newman and Medaya Ocher to talk about her latest novel, Glory, which explores the waning days and political ouster of Robert Mugabe, the authoritarian leader who controlled NoViolet’s home country of Zimbabwe for nearly four decades before he was overthrown in a coup spearheaded by his Vice President, Emmerson Mnangagwa. Allegorized as animals — in the style of George Orwell’s Animal Farm — the major players in Mugabe’s ouster and a chorus of citizens tell the story of utopian promise that becomes totalitarian terror, of ruthless political subterfuge and everyday survival, of a country torn between the righting of old wrongs and the almost cyclical production of new ones. At once an allegory of Zimbabwe’s history and a deeply poignant reading of the fractious moment we are all living through, Glory looks at how leaders command and forfeit power, as well as at the lives of ordinary people caught in the roiling waters of politics.

Also, Danielle Lindemann, author of True Story: What Reality TV Says About Us, returns to recommend Lorrie Moore’s short story collection Self-Help.

This week it’s a LARB Radio doubleheader. In the first half of the show, Kate Wolf talks with John Markoff about his latest book, Whole Earth: The Many Lives of Stewart Brand. Brand is probably best known as the creator of the Whole Earth Catalog, a countercultural magazine he published regularly between 1968 and 1972, and then infrequently up until 1998. With influences ranging from the Beat poets whom Brand met as a youth in San Francisco to his experimentation with LSD, the wisdom of indigenous cultures, and the philosophy of Buckminster Fuller, Whole Earth Catalog featured articles on sustainable living, ecology, and emerging technologies. As Markoff shows in his book, Brand — who’s worked as a photographer, writer, political advisor, and environmental activist, among other things — is not an easy person to pin down. His sympathies have ranged from libertarianism to eco-pragmatism, which stresses “useful technologies,” including nuclear power. Brand is now 83 and Markoff’s book is based on many years of interviews with him.

In the second half of the show, Kate is joined by artist Ulysses Jenkins on the occasion of his first, long overdue retrospective, Without Your Interpretation, which runs until May 15th at the Hammer Museum in Los Angeles. Jenkins’s career spans five decades and he’s known especially for his pioneering video and performance art pieces, which often explore questions of race, multiculturalism, ritual, representation, and technology. Born in Los Angeles in 1946, Jenkins has been integral to the artistic evolution of the city, collaborating and forming collectives with many other important artists, including Senga Nengudi, Maren Hassinger, David Hammons, Nancy Buchanan, Harry Gamboa Jr., May Sun, and Kitt Galloway and Sherrie Rabinowitz.

Danielle Lindemann joins Eric Newman and Medaya Ocher to talk about her latest book, True Story: What Reality TV Says About Us. Drawing on the ideas of major thinkers in modern sociology, including Emile Durkheim, Michel Foucault, and others, the book explores how reality TV both reflects and reproduces real-world social tensions, inequities, and slippages around class, race, gender, sexuality, and other categories of being. Rather than merely trash TV — or perhaps in addition to being trash TV — Lindemann argues that our favorite shows are lenses through which we can better understand our world, our social lives, and the powerful forces that shape them and us.

Also, Jonathan Alexander drops by to recommend Mia McKenzie’s Skye Falling.

Adam Phillips joins Kate Wolf to discuss his two latest books, both published this year, On Wanting to Change and On Getting Better. The series looks at the very human impulse toward transformation, from religious and political conversion, and the conversion to family life from which one must ultimately emerge, to the aims and practices of psychoanalysis, along with more quotidian ideas of self-betterment. As always in his work, Phillips attends in these books to the aspects of ourselves that can be hardest to bear, and that can lead us to desire more rigid structures — intellectual or otherwise — or desire to be someone else, while also quietly petitioning for a more complex and thoughtful mode of change in which, as Socrates encouraged his pupils, we learn only to be ourselves. How might we get better, Phillips wonders, at talking about what it is to get better?

Also, Pankaj Mishra, author of Run and Hide, returns to recommend Josep Pla’s The Grey Notebook.

Kate Wolf and Medaya Ocher are joined by Claire-Louise Bennett, whose new novel is Checkout 19. It follows an unnamed young woman born into a working-class family, who is slowly discovering her own sense of self through the many books she reads and the stories she writes. Her relationship to her own experiences is partly filtered through the words of other writers, as she eventually attends college, finds work as a checkout clerk, in a grocery store, and dates a few inadequate, jealous men with literary ambitions of their own. The book seamlessly moves between literary analysis, fantastical storytelling, and life itself, eventually confronting the realities of sex, violence, and death.

Also, Isaac Butler, author of The Method, returns to recommend Amanda Vaill’s Somewhere: The Life of Jerome Robbins.

Writer Isaac Butler joins co-hosts Kate Wolf and Eric Newman to speak about his new book, The Method: How the Twentieth Century Learned to Act which was published this month by Bloomsbury. The Method traces the dissemination of a style and way of thinking about acting that’s so prevalent, it’s hard to imagine the performing arts without it today. Originally envisioned by the great actor and textile heir Konstantin Stanislavski, in Moscow, in the late 1800s, the Method, originally known as the System, stressed the importance of emotional realism, research, a character’s motivation, and the actor's organic experience. Stanislavski believed actors were meant to be truth tellers and to this end, he developed empathic and imaginative exercises to enhance the authenticity of their performances such as “affective memory” and the “Magic If.” When the Moscow Arts Theater, which Stanislavski co-created, toured its productions in Europe and the US in the early 1920s, it inspired a whole new generation of actors and teachers, including Lee Strasberg and Stella Adler, who would go on to teach the Method to much the acclaim and controversy in the United States.
Also, Lewis R. Gordon, author of Fear of Black Consciousness, returns to recommend three books: Sister Outsider by Audre Lorde; Living While Black: The Essential Guide to Overcoming Racial Trauma by Guilaine Kinouani; and Mary Shelley's Frankenstein; or, The Modern Prometheus.

Lewis R. Gordon, head of the philosophy department at the University of Connecticut, joins Eric Newman and Medaya Ocher to talk about his latest book, Fear of Black Consciousness. The book explores contemporary racism and the long historical movement from black consciousness with a lower-case “b” to capital “B” Black consciousness, an active and more liberatory mentality that sees through the lies of white supremacy and works to build a better and more democratic society. Gordon examines these weighty topics through sustained readings of popular film and culture, including Jordan Peele’s Get Out and Ryan Coogler’s Black Panther.

Also, Sheila Heti, author of Pure Colour, returns to recommend Elif Batuman’s Either/Or.

Sheila Heti joins Kate Wolf and Medaya Ocher to speak about her latest novel, Pure Colour. A mythical and tender telling of the life of a woman named Mira, Pure Colour imagines our present day as taking place in the first stages of God’s creation. The world as we know it is but God’s first draft, and the complaints of human beings about its difficulties are being logged by him as input for his second. In this first draft world, people come in three categories: birds, fish, and bears. Mira is a bird — she relates to the world aesthetically and studies writing and criticism — while the woman that beguiles her, Annie, is a fish — a pragmatist who believes in justice for all of humanity. Mira’s father, meanwhile, is a bear, devoted most to the people he loves. When he dies early in the novel, questions of how to reconcile these different positions, how and at what distance to love someone, and how much to let go of that love, take the fore, as do other deeply philosophical inquiries about time, the future, art, and the universe as we know it.

Also, Francesco Pacifico, author of The Women I Love, drops by to give a glowing recommendation for Gertrude Stein’s classic The Autobiography of Alice B. Toklas.

Italian author Francesco Pacifico talks with hosts Kate Wolf and Medaya Ocher about his latest novel, The Women I Love, which follows an editor and poet named Marcello who is trying to write a novel about the women in his life. The relationships he explores are sexual and romantic - there’s a young editor Elenora, with whom he is having an affair; Barbara, his girlfriend and later his wife - as well platonic and familiar, he writes about his sister Irene as well as his mother. The book is about love and sex, as well as gender, power, and literature. How well can we know each other, even our most intimate partners?
Also Neel Patel, author of Tell Me How To Be, returns to recommend Speak No Evil by Uzodinma Iweala.

Eric and Medaya are joined by Neel Patel, an author and TV writer based in Los Angeles, to talk about his debut novel, Tell Me How To Be. The novel opens as Akash, a gay songwriter in his twenties living in LA, returns to his hometown in Illinois in the wake of his father’s death to help his mother, Renu, and brother, Bijal, sell his family home before his mother returns to London. Akash is the black sheep of the family, still deeply closeted and reeling from a failed relationship of his own. But he’s not the only one keeping secrets. Renu is holding fast to a long-simmering love that she’s told nobody about; and things are not as good as they seem for golden son Bijal. Alternating narration between Akash’s and Renu’s perspectives, Tell Me How To Be is an intimate story about race, sexuality, and the secrets that keep a family together, but also tear it apart.
Also, Tochi Onyebuchi, author of Goliath, returns to give a glowing recommendation for This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar.

Eric and Kate are joined by Tochi Onyebuchi to discuss his debut adult science fiction novel Goliath. Told through a series of vignettes, Goliath meditates on a world destroyed by environmental and viral catastrophe, in which the privileged largely white population has decamped for a space colony.  The group left on earth, predominantly people of color, try to eke out an existence amid the ruins.  Delving into such topics as colonization, gentrification, and the racial conflict that courses through American history and which, in the novel, firmly shapes its future and the future of the world in the 2050s, Goliath is a haunting and incisive look at a world that could very much be our own.

Also, Gary Shteyngart, author of Our Country Friends, returns to recommend his favorite book of 2021, Luster by Raven Leilani.

Boris Dralyuk, LARB’s Editor-in-Chief, joins Medaya Ocher for a very special ex-Soviet edition of the LARB Book Club and Radio Hour. The guest of honor is the doyen of Russian-American letters, Gary Shteyngart. The author of the novels The Russian Debutante’s Handbook, Absurdistan, Super Sad True Love Story, and Lake Success, as well as of the memoir Little Failure, Shteyngart’s sharp sense of humor, memorable characters, and up-to-the-minute responsiveness to developments in the culture have won him comparisons to Philip Roth and Saul Bellow, as well as a number of prizes and a wide, dedicated readership. His latest novel, Our Country Friends, is a poignant, affectionate tale of pandemic life set at a “House on the Hill” in the Hudson Valley. More than one critic has called it Chekhovian, and Chekhov does make a well-timed appearance, but this eventful novel is no pastiche. During the talk, Shetyngart touches on the lessons of Soviet and Russian life, the pernicious effects of social media, the importance of community, and the ways in which fiction can and should address the unfolding crises of modern life.
Also, James Hannaham, author of Pilot Impostor, returns to recommend Megan Mylan’s 2021 documentary about Syrian refugees, Simple as Water.

Author, activist, and novelist Arundhati Roy joins us from Delhi to discuss her new collection of essays, Azadi: Freedom. Fascism. Fiction. Roy is well known for her impassioned political writing, as well as her two novels, The Ministry of Utmost Happiness, and The God of Small Things, which won the Man Booker in 1997. She talks with us about the rise of Indian nationalism, Modi’s descent into fascism, the oppression of Muslims in India, and the role of fiction and literature in the world today.
Also, Yaa Gyasi, author of Transcendent Kingdom, returns to recommend Saidiya Hartman's groundbreaking Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals.

It’s that time of year again — the end. In our annual “best of” show, Kate, Daya, and Eric select their favorite books, movies, TV shows, podcasts, scandals, and other items from the past 12 months. Sit back, enjoy, and have a very Happy New Year!

Kate Wolf and Medaya Ocher talk with Anna Della Subin about her new book, Accidental Gods: On Men Unwittingly Turned Divine. Accidental Gods traces the rarely told history of the deification of living men in modern times, revealing the phenomenon’s connection to imperial conquest, revolution, and civil war. Taking as a starting point Columbus’ exploitation of his reception by native peoples as a deity come from the heavens, the book offers in-depth studies of figures such as the Ethiopian King Haile Selassie, who is regarded as God by Rastafarians in Jamaica, England’s Prince Philip, who became the center of a religion on an island in the South Pacific, and Jiddu Krishnamurti, who was seen as divine by early Theosophists. What does it mean to make a man a God? Why is it always a man? And what does that say about notions of masculinity, the place of religion in society, and the relations between political power and divinity?

Also, Sam Quinones, author of The Least of Us, returns to recommend Calvin Trillin’s Killings.

Award-winning author and investigative journalist Sam Quinones joins Kate Wolf and Medaya Ocher to discuss his latest book, The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth. The book charts the sweeping, shocking rise of synthetic drugs in the United States, and their production here, by corporations such as Purdue Pharma, as well as in labs in Mexico and China. The proliferation of so-called “designer drugs” has led to yet another wave of the opiate crisis, with more overdose deaths between the spring of 2020 and 2021 than ever before recorded. The Least of Us tells the personal stories behind many of these casualties, the larger political and socioeconomic shifts that have exacerbated the problem, the fascinating and disturbing history of the emergence of fentanyl and methamphetamine, and what some communities are doing to fight against the drugs’ devastation.

Also, Anna Della Subin, author of Accidental Gods: On Men Unwittingly Turned Divine, drops by to recommend Jason Josephson Storm’s The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences.